长期以来，通过对不同地域、文化环境与生活方式的体验，持续探索艺术与人的感知、文化记忆以及自然关系之间的连接。
从西藏寺院参与香文化创意实践的经历开始，便深入关注燃香这一古老媒介背后的精神经验、材料属性与时间过程，并逐渐发展出以燃香为核心的艺术实践。
以烟、气味、灰、空气与时间作为创作媒介，探索不可见之物如何进入人的感知。通过空间装置、气味体验、绘画及材料研究，关注生成、消散、记忆与关系，让材料、环境与观众共同参与作品的发生过程，尝试创造一种持续变化、不断生成的艺术形式。

Over an extended period, through experiences in diverse regions, cultural environments, and ways of life, they have continuously explored the connections between art and human perception, cultural memory, and the relationship with nature.

Beginning with their participation in a creative incense culture practice at a Tibetan monastery, they developed a deep engagement with incense burning as an ancient medium—examining its spiritual dimensions, material properties, and temporal processes. This gradually evolved into an artistic practice centered around incense.

Using smoke, scent, ash, air, and time as creative media, they investigate how invisible things enter human perception. Through spatial installations, olfactory experiences, painting, and material studies, they focus on emergence, dissolution, memory, and relationship—allowing materials, environment, and audience to co-participate in the unfolding of the work. Their aim is to create an art form that is continuously changing and perpetually becoming.