《圣地如来塔》以佛陀一生八大重要事迹对应的八座佛塔为灵感，将传统佛塔的形制提取并简化为极简的平面结构，与香结合，形成一个介于器物、符号与装置之间的作品。
作品将原本属于宗教空间的文化符号带入当代日常，使佛塔不再只是被观看和理解的对象，也成为可以被接触、使用和感知的存在。

The Sacred Stupas draws inspiration from the eight stupas associated with eight significant events in the life of the Buddha. The forms of these traditional stupas are extracted and reduced into minimalist planar structures, which are combined with incense to create a work situated between object, symbol, and installation.
The work brings a cultural symbol originally rooted in religious space into contemporary everyday life, allowing the stupa to become not only something to be viewed and understood, but also something to be touched, used, and experienced.

佛塔不仅是一种建筑，也是承载信仰、历史与记忆的文化符号。
作品从八座佛塔的传统形制中提取轮廓，将其转化为简洁的平面框架，并将线香与塔香置于其中。随着香的使用，原本静止的塔形获得新的状态，传统符号也从建筑与图像进入个人的日常经验。
作品并不试图复制或还原佛塔，而是通过对形制与使用方式的重新组合，让一个古老的文化符号获得新的尺度与语境。
《圣地如来塔》关注的是传统如何被重新理解与继续存在。当佛塔从圣地来到案头，它所承载的文化记忆，也从遥远的宗教空间进入当下的生活。

A stupa is not only an architectural form, but also a cultural symbol that carries faith, history, and memory.
The work extracts the contours of eight traditional stupas and transforms them into simple planar frames, within which incense sticks and stupa incense are placed. Through the act of burning incense, the once-static forms take on a new state, allowing a traditional symbol to move from architecture and image into personal experience.
Rather than reproducing or reconstructing the stupas, the work recombines their forms and modes of use, giving an ancient cultural symbol a new scale and context.
The Sacred Stupas considers how tradition can be reinterpreted and continue to exist in the present. When the stupa moves from a sacred site onto a tabletop, the cultural memory it carries also moves from a distant religious space into contemporary everyday life.