这幅画以黑、白、灰三色，构建了三个紧密相连的抽象人物，表达“自我”与“他者”的复杂关系。两侧清晰的面孔在凝视中间模糊的自我，而中间的自我则在承受这种凝视中逐渐失焦。
中心的“白我”：通体白色，轮廓模糊失焦。它代表自我——在外部目光的过度审视下，其真实的样貌与边界逐渐变得模糊、不确定，仿佛一个正在消散的幻影。

两侧的“黑他”：身躯浓黑，但脸部被强光照亮。他们代表外部的他者与压力。他们清晰的面孔是一种社会性的“伪装”，但其黑色的本体暗示着内在的不可知。他们的“看”，构成了对“自我”的凝视与压力。

This painting uses black, white, and grey to depict three closely connected abstract figures, expressing the complex relationship between the "Self" and the "Other."
The clear faces on either side intensely gaze at the blurred self in the center, while that central self gradually loses focus under the weight of their stare.
The Central "White Self": Pure white with blurred, out-of-focus edges. It represents the self—its true form and boundaries becoming ambiguous and uncertain under excessive external scrutiny, like an apparition slowly dissolving.
The Two "Black Others": Their bodies are deep black, but their faces are illuminated by a sharp light. They represent the external "Other" and social pressure. Their clear faces act as a social "mask," while their black forms suggest an inner unknowability. Their "gaze" constitutes the pressure and observation placed upon the self.