服饰非遗：喜马拉雅服饰的当代映像
Himalayan Attire Heritage: A Contemporary Vision

这场始于文化保护的旅程，最终成为一次融合田野与影像的深度创作。2019年，我们受西藏自治区文化厅委托，足迹遍及西藏所有地市，深入藏族、门巴族、珞巴族等聚居区，系统记录下喜马拉雅地带服饰的穿脱方式、尺寸制式与色彩细节。但我们的工作不止于记录。在普兰县科迦村，古老的“孔雀服”激发了我们的创作灵感。我们通过镜头重新诠释其神韵，让服饰在高原的光影中与人对话，该系列影像作品荣获了ICVA 2020国际视觉艺术理事会奖。

What began as a journey of cultural preservation evolved into an in-depth creative endeavor that blended fieldwork with visual storytelling. Commissioned by the Department of Culture of the Tibet Autonomous Region in 2019, our team traveled across all prefectures of Tibet, delving into regions inhabited by Tibetan, Monpa, Lhoba, and other ethnic groups. We systematically recorded the ways of wearing, sizing standards, and color details of traditional attire from the Himalayan region. Yet our work went beyond mere documentation. In Kejia Village of Purang County, the ancient "Peacock Costume" inspired our creative vision. Through the lens, we reinterpreted its essence, allowing the garments to converse with their wearers amidst the highland light and shadow. This series of visual works was honored with the ICVA 2020 International Visual Arts Council Award.

田野调查所积累的丰富资料，构成了再创造的基石。我们从中提取并构建了独有的“喜马拉雅色彩体系”，将传统图案转化为现代设计语言，让沉睡的遗存重新焕发生机。整个过程，是一次从扎实的田野根基生长出艺术枝桠的实践。我们以视觉为桥，连接起这片土地的过去与未来，证明真正的保护，正蕴含于充满敬意的理解与大胆的再创造之中。

The rich data accumulated during the fieldwork formed the foundation for reinvention. We extracted and constructed a unique "Himalayan Color System," transforming traditional patterns into a modern design language and revitalizing dormant heritage. The entire process was a practice of cultivating artistic expression from the solid roots of fieldwork. Using visual art as a bridge, we connected the past and future of this land, demonstrating that true preservation lies in respectful understanding and bold reinterpretation.